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They strike up a conversation, and, before they know it, morning has become afternoon. One day, while at breakfast, he encounters Lucy Whitmore (Drew Barrymore).
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(It's a cut above Clean Slate.) Henry Roth (Sandler) is a Hawaiian veterinarian who spends much of his free time seducing female tourists. If Memento represents the serious side of short term memory loss, 50 First Dates stands in for the comedic aspect. It took a little while, but the film's genial nature eventually won me over. Anyone incapable of overcoming the significant suspension of disbelief hurdle will discover that the plot holes and inconsistencies accumulate faster than January snow in Buffalo. The premise is a little off the wall, but those who are able to buy into it will find that the movie takes them places. Sandler's last romance, Punch Drunk Love, was deemed to be nearly unwatchable by his core constituency because they couldn't find anything funny in the way director Paul Thomas Anderson used their hero.
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The fact is, 50 First Dates is more of a romantic comedy than an Adam Sandler comedy. Although there are moments that will tickle the bellies of longtime Sandler fans (one of which involves gallons of walrus vomit dripping from an individual of indeterminate sex), 50 First Dates is sweet enough to capture the attention, and perhaps affection, of those who would not ordinarily see a movie headlined by this particular star.
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In his place is a likeable goofball whose rough edges are worn off by a force more effective than sandpaper: falling in love. Gone (at least for one movie) is the narcissistic adolescent caught in a perpetual state of arrested development. 50 First Dates offers viewers a kinder, gentler Adam Sandler.